Showing posts with label music general. Show all posts
Showing posts with label music general. Show all posts

Tuesday, January 09, 2024

Stranger Flashback: Memories of the Walkabouts

Here is a revived version of a Line Out post about the Walkabouts (these posts were purged from the internet after The Stranger pulled the plug on their music blog).

BLOGS Jan 9, 2012 at 9:11 am

Memories of the Walkabouts

I was a freshman in college when I met singer Carla Torgerson, who was a senior at the time. I had just arrived in Walla Walla, WA from Anchorage, AK. In the 1980s, Whitman was 50% Greek, so I decided to check out the sorority scene. I can’t speak for other schools, but for the most part, I liked what I found.

When it came to Kappa Kappa Gamma, I remember talking to Carla during Rush, and thinking, "Man, this woman is the coolest." Suffice to say, she wasn’t your stereotypical sorority girl. I got the distinct impression that it was okay to listen to punk rock, to major in studio art, and to wear whatever the hell you wanted.

That was encouraging, and so I did all those things—and pledged KKG (other Kappas, non-Whitman division, include designer Kate Spade, broadcast journalist Jane Pauley, and entertainment reporter Nancy O'Dell...who fits the sorority template to a T).


But I didn’t hang out with Carla. Most of my friends were freshmen. A couple of years later, she returned from Seattle to play a gig as a member of the Walkabouts, which featured two other Whitman alums,* her boyfriend, Chris Eckman (vocals, guitar), and his brother, Grant (drums). It was Oktoberfest. Someone stole a keg, and we set up a makeshift club in the spacious art studios, where Chris Peters and I spent most of our time. Peters went on to provide the wood-cut print that adorns their full-length debut, See Beautiful Rattlesnake Gardens (though I hung up my brushes a long time ago, Chris still paints from time to time).

I don’t remember anything else about that night, just that Carla had gone on to do something interesting with her life—exactly what I would've expected, based on that initial encounter. I ended up moving to Seattle a few years later, at which point the Walkabouts had become one of the city’s premiere musical outfits, along with Room Nine, Pure Joy, and a few others who were starting to gain national exposure though fanzines and region-friendly publications, like Option.

*Others include Adam West (Batman) and Dirk Benedict (Battlestar Galactica, The A-Team). I don't know whether ex-Walkabout Curt Eckman went to Whitman.


















  • Popllama

When the Seattle Scene blew up, the Walkabouts, against all odds, didn’t wind up as roadkill, though there was never anything particularly grunge-like about their roots-oriented sound. That was the beauty of Sub Pop 200, which combined tracks from acoustic artists like Terry Lee Hale with rock & rollers like Soundgarden.

The label would go on to sign the group, but they never hit it big nationwide, despite consistently positive reviews and a devoted fanbase. Instead, they became more popular in Europe, much like California's Thin White Rope and Oregon's Dead Moon (now Pierced Arrows). Don’t ask me why Americans weren’t more enthusiastic about these West Coast stalwarts; I have no idea.


















  • Sub Pop
  • Illustration by Charles Burns

Like every band I’ve mentioned, the Walkabouts have experienced their ups and downs, but they’ve beaten the odds yet again, releasing a new record in 2011 and prepping for a European tour this year. 

I wouldn't have seen that coming in 1982 when Carla was just an aspiring musician like so many others, who play out for a few years and then pack it in when they find a more stable career path. On the contrary, Carla has issued a solo album, Saint Stranger, and several Chris & Carla releases with Chris Eckman, though they're no longer romantically involved.

But we were never friends or even acquaintances, and I didn’t run into her again until she showed up at a friend’s Christmas party a couple of years ago. We had a lovely chat, just like that first time. She’s still the same attentive and engaging woman she ever was. And I don’t know much more about her than that, but that’s enough, and I look forward to seeing her group when they play Seattle tomorrow night. I’ll be with my friend, Chris. Maybe we’ll sneak in another stolen keg or two.


















  • Glitterhouse

The Walkabouts play the High Dive (513 N. 36th) on Tues., January 10th, with Terri Tarantula (Walkabouts' drummer Terri Moeller) and Disinterested (Matt Brown from Trespassers William). $10 presale, $12 at the door. Purchase tickets here.

Monday, January 01, 2024

Songs for Cineastes: 2023 Edition

Click here for the 2022 edition.

Every year, I listen to less new music, but I still listen to a lot. I've never wanted to become one of those former music writers/disc jockeys/music retail workers who stops listening to new music altogether. I'll never be that old. Music trends come and go, people age, they have kids (in some cases), their jobs take over their lives, they gravitate to other things instead. I get it, but I can't relate. 

It has become more challenging for me to keep up, but that's on me. It's not on music, aging, or ever-changing technologies. It's largely that I've become more easily distracted--a tendency exacerbated by social media--and I listen to more podcasts (time I used to spend listening to new music), but I still listen to and write about music, both new and old. I just spend more time watching, reading, and writing about film. 

I definitely see fewer shows, though, to the extent that I saw exactly one this year: the Gories at Freakout Festival. They were great, of course. Sometimes, that's all you need; one really good show, rather than dozens of mediocre ones. Granted, I'm sure I missed a lot of good shows I didn't even know about. With fewer sources for local listings--and fewer show-going companions--that's bound to happen. 

Top 10 
1. Meshell Ndegeocello - The Omnichord Real Book (Blue Note) 
2. En Attendant Ana - Principia (Trouble in Mind) 
3. Sleaford Mods - UK Grim (Rough Trade) 
4. Wreckless Eric - Leisureland (Tapete Records) 
5. Meg Baird - Furling (Drag City) 
6. Lewsberg - Out and About (12XU) 
7. The Necks - Travel (Northern Spy) 
8. Kate NV - Wow (RVNG Intl.) 
9. André 3000 - New Blue Sun (Epic) 
10. Nia Archives - Sunrise Bang Ur Head Against Tha Wall EP 
      (Hijinx/Island) 

Note: A show I missed: Meshell Ndegeocello. I only found out about it afterward. For what it's worth, I've seen her in person at the Pop Conference, but I've never seen her play live.  

Runners-up 
11. Anohni - My Back Was a Bridge for You to Cross 
      (Secretly Canadian) 
12. Melenas - Ahora (Trouble in Mind) 
13. FACS - Still Life in Decay (Trouble in Mind) 
14. Lorelle Meets the Obsolete - Remezcla EP (Sonic Cathedral) 
15. Rocket 808 - House of Jackpots (12XU) 
16. Barbara Manning - Charm of Yesterday…Convenience of 
      Tomorrow (Ba Da Bing) 
17. Jamila Woods - Water Made Us (Jagjaguwar) 
18. Fay Victor - Blackity Black Black Is Beautiful (Northern Spy) 
19. Yo La Tengo - This Stupid World (Matador) 
20. Everything but the Girl - Fuse (Buzzin' Fly/Virgin) 


21. Guided by Voices - Welshpool (GBV Inc.) 
22. Various Artists - I Killed The Monster: The Songs of Daniel 
       Johnston (Shimmy Disc) 
23. Martin Frawley - The Wannabe (Trouble in Mind) 
24. Jessie Ware - That! Feels Good (EMI/Universal) 
25. Lupo Cittá - Lupo Cittá (12XU) 
26. Irreversible Entanglements - Protect Your Light (Impulse!/Verve) 
27. Lankum - False Lankum (Rough Trade) 
28. Gina Birch - I Play My Bass Loud (Third Man) 
29. Matthew Shipp - The Intrinsic Nature of Shipp (Mahakala Music) 
30. Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert 
       (Domino) 

31. Janelle Monáe - The Age of Pleasure 
       (Wondaland/Bad Boy/Atlantic) 
32. Various Artists - Synthetic Bird Song (Mappa) 
33. Be Your Own Pet - Mommy (Third Man) 
34. Olivia Rodrigo - Guts (Geffen) 
35. Wimps - City Lights (Youth Riot) 
36. Immaterial Possession - Siren's Tunnel (Fire) 
37. Kerry Charles - I Think of You (Grind Select) 
38. Best Fern - Earth Then Air (Backwards Music) 
39. Joel Styzens - Resonance (Relax Your Ears) 
40. Mary Lattimore - Goodbye, Hotel Arkada (Ghostly International)

41. Doom Flower - 
       Limestone Ritual 
       (Record Label)  
42. PJ Harvey - 
I Inside the Old World Dying (Partisan)  
43. Omar Ahmad - Inheritance (AKP Recordings) 
44. DJ Shadow - Action Adventure (Reconstruction/Mass Appeal) 
45. Cloudland Canyon - 
       Cloudland Canyon (Medical Records)   
46. Field of Fear - Lost (Whited Sepulchre)  
47. Gabriel Birnbaum - Entitled Nightwater | 
       All the Dead Do is Dream (Western Vinyl)    
48. Joel Styzens - Resonance (self-released)

Songs 
1. SZA - "Kill Bill" 
2. Little Simz - "Gorilla" 
3. Melenas - "Bang"
4. Lol Tolhurst, Budgie, and Jacknife Lee - "Los Angeles"
5. M83 - "Oceans Niagara" 
6. Janelle Monáe - "Float" 
7. Everything But the Girl - "Nothing Left to Lose" 
8. DJ Shadow - "Nobody Speak" feat. Run the Jewels 
9. Caroline Polacheck - "Welcome to My Island" 
10. Allison Russell - "Springtime" 


Reissues & Collections 
1. Mike Cooper - Life and Death in Paradise +  Milan: 
    Live Acoustic 2018 (Paradise of Bachelors) 
2. Sonic Youth - Live in Brooklyn 2011 (Goofin'/Silver Current)
3. Lady Lamb - In the Mammoth Nothing of the Night 
     [box set] (Ba Da Bing) 
4. Peggy Lee - I'm a Woman: 60th Anniversary Expanded Edition 
     (Capitol/UME)
5. Lee Hazlewood and Nancy Sinatra - Nancy & Lee Again 
     (Light in the Attic)

Endnote: For Rock and Roll Globe, I wrote about two 2023 albums, six 1973 albums, and one 2023 music documentary. You can find all nine here. Images: Charlie Gross / The Guardian (Meshell Ndegeocello), Dusted (En Attendant Ana), and RE:VIVE (Lankum).  

Saturday, December 31, 2022

Songs for Cineastes: 2022 Edition

Click here for
the 2021 edition.

Top 10 
1. Charlotte Adigéry & Bolis Pupul - Topical Dancer (DEEWEE)
2. Spoon - Lucifer on the Sofa (Matador)
3. Wet Leg - Wet Leg (Domino)
4. Sault - Untitled (God) (Forever Living Originals)
5. Earthless - Night Parade of One Hundred Demons (Nuclear Blast)
6. The Smile - A Light for Attracting Attention (XL)
7. Sault - 11 (Forever Living Originals)
8. Spiritualized - Everything Was Beautiful (Bella Union)
9. Cate Le Bon - Pompeii (Mexican Summer)
10. Attia Taylor - Space Ghost (Lame-O)


Runners-up
11. Aldous Harding - Warm Chris (4AD)
12. Gwenno - Tresor (Heavenly Recordings)
13. Soft Pink Truth - Is It Going to Get Any Deeper Than This? 
     (Thrill Jockey)
14. Lucrecia Dault - ¡Ay! (RVNG Intl.)
16. Sudan Archives - Natural Brown Prom Queen (Stones Throw)
15. Sonic Youth - In/Out/In (Three Lobed Recordings)
17. Miranda Lambert - Palomino (Vanner-Sony Music)
18. Sault - Today and Tomorrow (Forever Living Originals)
19. Little Simz - No Thank You (Forever Living Originals)
20. Black Thought - Cheat Codes (BMG)

21. Ibibio Sound Machine - Electricity (Merge)
22. Robin Holcomb - One Way or the Other (Westerlies)
23. Horse Lords - Comradely Objects (RVNG Intl.)
24. Andrea Parkins - Two Rooms from the Memory Palace 
      (Infrequent Seams)
25. Seratones - Love & Algorhythms (New West)
26. Osees - A Foul Form (Castle Face)
27. SZA - SOS (Top Dawg-RCA)
28. Nina Nastasia - Riderless Horse (Temporary Residence)
29. Sault - Earth (Forever Living Originals)
30. Bill Frisell - Four (Blue Note)

31. Sault - Air (Forever Living Originals)
32. Horsegirl - Versions of Modern Performance (Matador)
33. Lizzo - Special (Nice Life Recording-Atlantic)
34. Anika - Change: The Remixes (Sacred Bones)
35. Nightshift - Zöe (Trouble in Mind)
36. Ben Shemie - Desiderata 
      (Joyful Noise Recordings/Backwards Music)
37. Brown Calvin - d i m e n s i o n // p e r s p e c t i v e (AKP)
38. Bailey Miller - Still Water (Whited Sepulchre)
39. Miles Hewitt - Heartfell (self-released)
40. Ernest Hood - Back to the Woodlands (RVNG Intl.)

Songs 
1. Sault - "Glory" (Forever Living Originals)
2. Charlotte Adigéry & Bolis Pupul - "Ceci n'est pas un cliché" 
    (Soulwax)
3. Lizzo - "About Damn Time" (Nice Life/Atlantic)
4. Hot Chip - "Down" (Domino Recording Co.)
5. Jessie Ware - "Free Yourself" (PMR-Virgin EMI)
6. Beyoncé - "Break My Soul" (Parkwood/Columbia)
7. LCD Soundsystem - "New Body Rhumba" (DFA)
8. Sault - "Life We Rent But Love Is Rent Free" 
    (Forever Living Originals)
9. Black Thought - "Because" (BMG)
10. Aidan Noell & Nancy Whang - "Sharevari" (Nation of Language)


Reissues & Collections 
1. The Beatles - Revolver (Super Deluxe) 
   (Calderstone Productions Ltd-UMG)
2. Donald Byrd - Cookin’ with Blue Note at Montreux (Blue Note)
3. Wire - Not about To Die (pinkflag)
4. Roxy Music - Flesh + Blood (Virgin/Ume)
5. Roxy Music - Avalon (Virgin/Ume)
6. Roxy Music - Greatest Hits (Virgin/Ume)
8. Nancy Sinatra and Lee Hazlewood - Nancy & Lee
    (Reprise-Light in the Attic)
9. Lee Hazlewood - The Sweet Ride: Lost Recordings 1965-68 
    (Light in the Attic)
10. Charles Stepney - Step by Step (International Anthem)

Also worthy of note: Bitchin Bajas - Bajascillators (Drag City), Laure Briard - Eu Voo (Midnight Special), Decius - Decius Vol. 1 (The Leaf Label), Dezron Douglas - More Coffee Please (International Anthem), Chad Fowler, Ivo Perelman, Matthew Shipp, William Parker, Steve Hirsh - Alien Skin (Mahakala Music), Makaya McCraven - In These Times (International Anthem-Nonesuch), Tommaso Moretti - Inside Out (BASE), and Angel Olsen - Big Time (Jagjaguwar). 

Endnote: I only saw three shows this year, largely due to the 2021 passing of Bill Kennedy, my favorite show-going companion: Charlotte Adigéry and Bolis Pupul at Barboza in Seattle, Roxy Music and St. Vincent at the United Center in Chicago, and Grace Jones at the Moore in Seattle (click here for my profile of Jones). I wore a mask each time. Images: Adigéry and Pupul at Barboza (Kathy Fennessy), Aldous Harding's Warm Chris album cover (4AD / Discogs), and Donald Byrd (Blue Note Records).  

Sunday, December 27, 2015

Songs for Cineastes: 2015 Edition

Lamont Thomas of Obnox. 
Click here 
for the 2014 
edition.

I probably spent more time listening to new music in 2015 than any other year, and that includes my days as a music director (when staffers helped me to plow through the deluge of records and CDs we received each week).

On average, that means several hours a day every day listening to new singles, EPs, and full-lengths. Although I don't rank them, I also watch-
ed a lot of videos and listened to a lot of mixes. I receive most of this material from labels and publicists, but I'm a freelance writer, and I di-
vide my time between music and film, so I don't get everything, and I don't have the time or money to hear it all, so you're sure to notice notable omissions. To that end, I've included a list of records at the end of this post that might have made my list if I had heard them in their entirety. In those cases, I heard a song or an excerpt, but didn't have access to the full-length in time. Some of these titles, like the Har-
monia collection are now sold out (at least according to Other Music).

As ever, ranking is somewhat arbitrary, except for #1. I love to rank things, but I kind of hate it, too. Plus, my feelings change with time; not radically so, but enough that these titles would probably remain the same, but the order in which they appear would look different. I can never really predict what will stand the test of time. I mean, sometimes I can, but not always. If something--anything--gets overplayed, it tends to grate on my nerves after awhile, and I notice flaws that weren't ap-
parent before. Or if they were always apparent, I focus on them more than I would otherwise. You could call it a flaw in my construction, and I wouldn't beg to differ, but it's part of the reason why independent releases will always give me more joy than major-label productions.

Note: Links lead to my previews for The Stranger (the paper's staff
published their lists here). Unnumbered lists are in alphabetical order.  



Top 10
1. Obnox - Boogalou Reed (12XU)

A new discovery for me. I'm not familiar with Lamont "Bim" Thomas's previous work, and nor did I hear the other two albums, Wiglet and Know America, that he released this year. I only know that Boogalou Reed--ridiculous title and all--rocked harder than anything else I heard (including that incendiary Wolf Eyes record), and I look forward to hearing more from Thomas in the years to come. As with Kamasi Washington's The Epic, this is a record and an artist that received very little love from Seattle in 2015. We can and should do better to support such talented, uninhibited artists. The fact that they're musicians of color makes their absence from local publications and airwaves seem even more unfortunate.  

2. Thee Oh Sees - Mutilator Defeated at Last (Castle Face)
3. Shamir - Ratchet (XL Recordings)
4. Twerps - Range Anxiety (Merge)
5. Kamasi Washington - The Epic (Brainfeeder)
6. Jane Weaver - Silver Globe (Finders Keepers)
7. The Cairo Gang - Goes Missing (God?-Drag City)
8. Bitchin Bajas & Natural Information Society -  
    Automaginary (Drag City)
9. Föllakzoid - III (Sacred Bones)
10. Wolf Eyes - I Am A Problem: Mind in Pieces (Third Man)

Runners-up
11. Joanna Newsom - Divers (Drag City)
12. Jim O'Rourke - Simple Songs (Drag City)
13. Deerhunter - Fading Frontier (4AD)
14. Shopping - Why Wait and Consumer Complaints (FatCat)
15. Hieroglyphic Being & J.I.T.U. Ahn-Sahm-Buhl -
      We Are Not the First (RVNG Intl.)
16. Destroyer - Poison Season (Merge)
17. Sleater-Kinney - No Cities to Love (Sub Pop)
18. Boogarins - Manual (Other Music Recording Co.)
19. Six Organs of Admittance - Hexadic II (Drag City)
20. Royal Headache - High (What’s Your Rupture?)



Second Runners-up
21. Courtney Barnett - Sometimes I Sit and Think, 
       and Sometimes I Just Sit (Mom + Pop)
22. Moon Duo - Shadow of the Sun (Sacred Bones)
23. Meg Baird - Don’t Weigh Down the Light (Drag City)
24. Slim Twig - Thank You for Stickin’ with Twig (DFA)
25. Ultimate Painting - Green Lanes (Trouble in Mind)
26. Jacco Gardner - Hypnophobia (Polyvinyl)
27. Suuns and Jerusalem in My Heart - Suuns and 
      Jerusalem in My Heart (Secretly Canadian)
28. Metz - II (Sub Pop)
29. Micachu & the Shapes - Good Sad Happy Bad (Rough Trade)
30. Circuit des Yeux - In Plain Speech (Thrill Jockey)

Haley Fohr of Circuit des Yeux. 











Local Superstars
1. La Luz - Weirdo Shrine (Hardly Art)
2. The Sonics - This Is the Sonics (Revox)
3. Pony Time - Rumours 2: The Rumours Are True (self-released)
4. Wimps - Suitcase (Kill Rock Stars)
5. Childbirth - Women’s Rights (Suicide Squeeze)
6. Car Seat Headrest - Teens of Denial (Matador) 
7. Shana Cleveland & the Sandcastles - Holy Rollers (Suicide Squeeze)
8. Chastity Belt - Time to Go Home (Hardly Art)

Top Reissues
1. Various Artists - Ork Records: New York, 
     New York (Numero Group)
2. Karin Krog - Don't Just Sing | An Anthology 
    1963-1999 (Light in the Attic)
3. Zeus B. Held - Vinyl Collection (Medical Records)
4. Various Artists - Don't Think I've Forgotten: 
    Cambodia's Lost Rock and Roll (Dust-to-Digital)
5. Frederick Michael St. Jude - Gang War (Drag City)
6. Elyse Weinberg - Greasepaint Smile (Numerophon)
7. John Carpenter - Lost Themes (Sacred Bones)
8. Six Organs of Admittance - Dust and Chimes (Holy Mountain)
9. Beat Happening - Look Around (Domino)
10. Okkervil River - Black Sheep Boy: 
     10th Anniversary Edition (Jagjaguwar)

Note: I forgot to add Laddio Bolocko's Live and Unreleased: 1997-2000 (Quarter Records), so just think of it as #11.  



Top EPS
1. White Magic - I'm Hiding My Nightingale (Leaving)
2. Ty Segall - Mr. Face (Famous Class)
3. Susanna - Songs Revisited (SusannaSonata)
4. Parquet Courts - Monastic Living (Rough Trade)
5. Amen Dunes - Cowboy Worship (Sacred Bones)

Top single
David Bowie - "Blackstar" (Sony)



Also worthy of note: Benjamin Clementine - At Least for Now (Capitol Records), Cold Beat - Into the Air (Crime on the Moon), Deradoorian - The Expanding Flower Planet (Anticon), Django Django - Born Under Saturn (Ribbon Music), Drinks - Hermits on Holiday (Heavenly Recordings), Bill Fay - Who Is the Sender? (Dead Oceans), Flying Saucer Attack - Instrumentals 2015 (Drag City), Gardens & Villa - Music for Dogs (Secretly Canadian), Don Howland - Life Is a Nightmare (12XU), Stone Jack Jones - Love and Torture (Western Vinyl), Jessie Jones - Jessie Jones (Burger), Idjut Boys - Versions (Smalltown Supersound), Mike Krol - Turkey (Merge), Lady Lamb - After (Mom+Pop), Jeffrey Lewis & Los Bolts - Manhattan (Rough Trade), Mantles - All Odds End (Slumberland), Rhett Miller - The Traveler (ATO Records), Peacers - Peacers (Drag City), A Place to Bury Strangers - Transfixiation (Dead Oceans), Public Service Broadcasting - The Race for Space (Test Card Recordings), Michael Rault - Living Daylight (Burger), Shannon & the Clams - Gone by the Dawn (Hardly Art), Speedy Ortiz - Foil Deer (Carpark), Summer Twins - Limbo (Burger Records), Richard Thompson - Still (Fantasy Records), Thundercat - The Beyond / Where the Giants Roam (Brainfeeder), Turn to Crime - Actions (Mugg and Bop), Unknown Mortal Orchestra - Multi-Love (Jagjaguwar), Ryley Walker - Primrose Green (Dead Oceans), Wand - 1,000 Days (God?-Drag City) and Golem (In the Red), Jamie Woon - Making Time (Blue Note), WX - WX (Castle Face), and Yo La Tengo - Stuff Like That There (Matador).

James McNew, Georgia Hubley, and Ira Kaplan of Yo La Tengo at the Neptune.
Need to hear more: Dick Diver - Melbourne, Florida (Trouble in Mind), Duke Ellington & His Orchestra - The Connie Plank Session (Grönland), Fuzz - II (In the Red), Girl Band - Holding Hands with Jamie (Rough Trade), Harmonia - Complete Works (Grönland), King Midas Sound/Fennesz - Edition 1 (Ninja Tune), Kendrick Lamar - To Pimp a Butterfly (Aftermath-Interscope), Cass McCombs - A Folk Set Apart: Rarities, B-Sides & Space Junk, Etc. (Domino), Mbongwana Star - From Kinshasa (World Circuit), Mueller_Roedelius - Imagori (Grönland), Peach Kelli Pop - III (Burger), and Smokey - How Far 
Will You Go?: The S&M Recordings, 1973-81 (Chapter Music).



Obnox image from Público (no photographer noted).  

Tuesday, June 14, 2011

Sassy Sings: On the Lola's Throughout the Years

I named my tiny cat Lola after the
gender-bending Kinks classic, but if I
had to do it all over again, I'd credit
"Whatever Lola Wants, " the slinky
number from
1955's Damn Yankees
(Richard Adler and Jerry Ross), be-
cause I find her as "irresistible" as the
lady in question, the devil's assistant
.

Whatever the sleek, grey Lola wants--food, water, a rub on the tummy--she gets. It doesn't matter what I'm doing at the time. She looks up at me with those pleading eyes, and I'm a goner.

Vaughan and Ray Davies offer but two examples; Lola appears in
various guises throughout entertainment history, like the cabaret
entertainer Marlene Dietrich plays in von Sternberg's The Blue An-
gel
(Der Blaue Engel) or the central figure in Barry Manilow's 19-
78 hit "Copacabana" ("Her name was Lola, she was a showgirl...").

As a rule, she's a femme fatale; lovely to look at, but hardly trust-
worthy, i.e. "You can't win" against one. Sounds like a cat to me!




And here's another one of my favorite performances from the Div-
ine One (1924-1990), who was at her best in noir mode. Plenty of
other ladies have tackled this 1948 Sonny Burke and Paul Francis
Webster composition, but Vaughan trumps them all (dig the way
the burst of brass at the end adds a caffeine-like kick). According
to Wikipedia, she "charted with this song in 1949 on Columbia."
I also enjoy the smokey renditions by Peggy Lee and k.d. lang.




Endnote: Image from the PBS site for Jazz: A Film
by Ken Burns
(courtesy of Frank Driggs Collection).

Wednesday, May 11, 2011

Lida Husik: Siouxsie's Soul Sister

"Husik's music is clear-
ly the sum of her inspi-
rations: '60s psychede-
lia, '70s sci-fi movies,
and '90s indie-rock."
--Keith Moerer
, Salon

Bozo (1991), the full-length debut from multi-instrumentalist Lida Husik, is one of my favorite records of the 1990s. Here are two videos featuring her haunting vocals combined with two of her finer melodies.

The first features a still of the creepy-cool photo on the cover
. The second is where things get even more interesting with grainy, black-and-white images that capture the spooky beauty of Husik's music.

According to her notes, Shimmy Disc founder and Bongwater member
Kramer produced both. She writes, "Kramer's impromptu method and big echo sound influenced a lot of my future output. I wanted an otherworldly and remote mood." They succeeded spectacularly.

Husik has roots in New York and Washington DC, where she recorded as Red Emma, but has called Silverlake, CA home for the past few years. Her website also says that "Lida will begin recording her 10th record in August 2010 at the Little Golden Book Studio in Portland."

[video to come]
They ate all our candy.


 

"This video was shot at various locations around San Francisco in 19-
92 by Shane Francis. We filmed at Yosemite, at the airport, and on the
streets. Those were the days when you could walk into an airport and
just start filming an indie-rock video. In Golden Gate Park, we hap-
pened upon a clown who graciously allowed me to dance with her.
"

Click the links for my All Music Guide reviews of Bozo and Your Bag. Lida Husik image from Salon. For more information, please click here.

Friday, February 04, 2011

Make a Smile for Me: Part Two

Click here for part one

Shortly after I posted a few Bill Withers covers in honor of Still Bill, which premiered on Showtime yesterday, February 4th, crate digger extraordinaire Larry Webber suggested several more. Here are the four I like the best. The reggae interpretations are great, but I prefer the funkiest of the funk jams.

2024 update: all videos are no longer embeddable.  :-(

[video]
In the All Music Guide, Jason Ankeny describes Eddy Senay's
Hot
Thang
(1972/Sussex) as "a virtual primer in psychedelic funk."


[video]
The AMG classifies vibraphonist Roy Ayers as "one of the prophets
of acid jazz," but that doesn't mean he couldn't funk it up, too (see al-
so his score for 1973 blaxploitation classic Coffy). This cover comes
from Roy Ayers Ubiquity - Red, Black and Green (1976/Mercury).


[video]
Bill Graham favorites Cold Blood (1968-76), featuring front woman
Lydia Pense, hailed from the Bay Area. They re-formed in the '00s.


[video]
Trombone player/arranger/musical director Fred Wesley proves
he could make it on his own outside the James Brown organization.
Wesley has also played with Parliament and Ike and Tina Turner.


More: Horace Andy - "Ain't No Sunshine" (and an alternate
version
),
Lyn Collins - "Ain't No Sunshine," Prophets of Soul -
"Ain't No Sunshine," Ken Boothe - "Ain't No Sunshine," Augus-
tus Pablo
- "Ain't No Sunshine," and B.B. Seaton - "Lean on Me."

Endnote: Image from AllStarsPics, which notes
Withers' full name: William Harrison Withers, Jr.

Friday, January 28, 2011

Make a Smile for Me: Part One

Since I just reviewed the Bill Withers documentary Still Bill, here are a few of my favorite Withers covers. And if you can't get enough, the Docurama DVD includes The Swell Season (Glen Hansard and Markéta Irglová) with "Stories," Corey Glover (Living Colour) with "Who Is He and What Is He to You" and Yim Yames (Jim James/My Morning Jacket) with "Ain't No Sunshine."

Of the three, I prefer the latter as James takes the most understated approach to the material (overstatement seems gauche). The extras also offer brief chats with Withers associates like actor/football great Jim Brown and Graham Nash (Hollies, CSNY).


Corey Glover's heartfelt, if overstated cover can't quite compare.


Sly Dunbar, Robbie Shakespeare, and the inimitable Ms. Jones.


Holly Golightly adds reverb and twang to this Withers classic.


Diana's disco extravaganza trumps the Bonnie Prince Billy version.

Update: Still Bill will have its US broadcast premiere this Fri, 2/4,
at 8:30PM on Showtime. For more information, please click here.


Click here for part two

Endnote:
Image from Grio.com (AP Photo/Reed Saxon). Click
here for my review of +'Justments (which includes "The Same
Love That Made Me Laugh"), here for Just As I Am/Still Bill, here
for Soul Power, and here for Golightly's God Don't Like It (which
includes "Use Me"). I'll be posting my DVD review next month.

Friday, December 31, 2010

Songs for Swingin' Cineastes: 2010 Edition

To clear up any confusion: This isn't a list of film scores or soundtracks. It's a list of music recommended for movie lovers such as myself. Some independent film fans prefer mainstream movie fare. Similarly, some indie film fans prefer mainstream music. There's nothing wrong with that dichotomy; I just can't relate to it (and try to avoid giving the Man my money). If you share my taste in movies, there's a good chance you might also share my taste in music.

The Tops:
1. Ty Segall - Melted (Goner)
2. Gil Scott-Heron - I'm New Here (XL Recordings)
3. Dum Dum Girls - I Will Be (Sub Pop)
4. The Black Angels - Phosphene Dream (Blue Horizon)
5. Sleigh Bells - Treats (Mom & Pop Music)
6. Janelle Monáe - The ArchAndroid (Bad Boy/Wondaland)
7. Bill Withers - + 'Justments (Reel Music) [reissue]
8. Anika - self-titled (Stones Throw)
9. Deerhunter - Halcyon Digest (4AD)
10. Gray - Shades of... (Plush Safe Records)
 
Note: The Gray CD features Jean-Michel Basquiat. Last
year's #1: Sylvester & the Hot Band - The Blue Thumb Collection.


Runners-up:
1. Frankie Rose & the Outs - self-titled (Slumberland)
2. Endless Boogie - Full House Head (No Quarter)
3. Tame Impala - InnerSpeaker (Modular) [Australia]
4. Thee Oh Sees - Warm Slime (In the Red)
5. Aloe Blacc - Good Things (Stones Throw)
6. Wetdog - Frauhaus! (Captured Tracks)
7. Wooden Shjips - Vol. 2 (Holy Mountain)
8. Stereo Total - Baby Ouh! (Kill Rock Stars)
9. Moon Duo - Escape (Woodsist)
10. Woven Bones - In and Out and Back Again (Hozac) 

Top Singles:
1. Cee-Lo Green - "Fuck You" (Elektra/Asylum)
2. Anika - "Yang Yang" (Stones Throw)
3. The Roots - "How I Got Over" (Def Jam)
4. Aloe Blacc - "I Need a Dollar" (Stones Throw)
5. Lee Perry - "Exercising" [Horsepower Remix] (Tempa)



Note: I like garage rock, R&B, funk, dub, Germans, ladies with
attitude, and cranky old geezers. No apologies. Also worth a lis-
ten: the Fall - Your Future Our Clutter (Domino), the Fresh and
Onlys - Play It Strange (In the Red), the Strange Boys - Be Brave
(In the Red), and Past Lives - Tapestry of Lies (Suicide Squeeze).
In the Red, Stones Throw, Light in the Attic: killed it this year.


Top Reissues:
1. Various Artists - Epitaph for a Legend (Snapper)
2. Jane Birkin & Serge Gainsbourg - self-titled (Light in the Attic)
3. Jane Birkin - Di Doo Dah (Light in the Attic)
4. Andy Votel - Cock Diesel Mixtape Vol. 1 Cassette (No Label)
5. Tages - Studio Album Plus (RPM) [UK]
6. Kenny Graham & His Satellites - Moondog and Suncat Suites (Trunk)
7. Rikki Ililonga & Musi-O-Tunya - Dark Sunrise (Now Again)
8. Les Rallizes Denudes - Heavier Than a Death in the Family (Phoenix)
9. Les Rallizes Denudes - Blind Baby Has Its Mother's Eyes (Phoenix)
10. Walter Gibbons - Jungle Music (Strut)
 
Still to hear: Dean & Britta - 13 Most Beautiful: Songs for
Andy Warhol's Screen Tests
(Double Feature), Matthew Dear -
Black City
(Ghostly International), Gonjasufi - A Sufi and a Kil-
ler
(Warp Records), LCD Soundsystem - This Is Happening (D-
FA), Junior Murvin -
Police and Thieves - Deluxe Edition (Uni-
versal/Island), Irmin Schmidt + Inner Space Production -
Ka-
masutra Vollendung Der Liebe
(Crippled Dick Hot Wax),
and Soft Moon - The Soft Moon (Captured Tracks).


Click here for the 2009 edition.


Endnote: The usual disclaimer applies. This list doesn't represent
the best music of the year, but the best music I heard. And I heard
less music than usual (I'm an underpaid freelance writer, and I had
to, you know, pay for most of it). Image from Austin Town Hall.

Wednesday, November 24, 2010

Ain't That Some Shit: "Forget" ≠ "Fuck"

Forget
Does

Not
Equal
Fuck


I like Cee
Lo
, I
really do,
but I'm less
than crazy about the radio-ready version of "Fuck You," now
retitled "Forget You." It seemed bold that the first single to mat-
erialize from The Lady Killer would use "fuck" in the title and chor-
us. Naturally, radio and TV weren't going to touch it, and you can't
really excise the expletive--there would be next-to-nothing left.

So, I understand the impulse, but the words aren't interchange-
able. They have different meanings, different syllables, and a
wholly different vibe. To "forget" means to put it out of your
mind, while "fuck," in this context, is angry rather than sexual.

Green isn't putting his single status out of his mind, he's actively
addressing his ex and the fella with whom she took off. And let's
face it, "fuck" combined with the other lyrics is funnier than "for-
get," which has no bite (see "She's an XBox, and I'm more Atari").

When Cee Lo changed the song, he neutered it. But in so doing,
he's laughing all the way to the bank, because a couple of weeks
ago, Gwyneth Paltrow sang the bowdlerized version on Glee (ka-
ching!) and now everybody who can hear it--and not just those
who've seen the various videos making the rounds--has heard it.

Still, I've been thinking about some of the better known sing-
les to make use of the words "forget" and "fuck." As I suspect-
ed, they aren't interchangeable in these instances either.

["Don't You Forget About Me" video]
Imagine if Jim Kerr had sung, "Don't you fuck about me, don't
don't don't don't, don't you fuck about me..."
Doesn't have quite
the same ring, does it? (I tried to post the final sequence from
The Breakfast Club
, but the em
bedding has been disabled.)


Imagine if Nilsson had sung, "You're breaking my heart, you're
tearing it apart, so forget you."
(Love the song, love the film.)


As I mentioned on a certain social networking site, "Some edits
are better than others...a loud bleep is irritating, but a scramble,
which is what Public Enemy usually uses, tends to work well" (in
that case, "shit" becomes "isht"). I don't know how that would work
with "Fuck You," but I'd be interested to hear the results. Another
option is to edit out the "uh" sound, such that you hear the "f," the
"k," and nothing but a whoosh of air in the middle. Consequent-
ly, the one-syllable word remains--hey, it could be "frick" or
"frack"--and the song's meaning would be preserved.

["Fuck Tha Police" video]
And of course, NWA would prefer that you not "forget" the police.

Endnote: Image from Swagger New York.

Saturday, November 13, 2010

Sleigh Beats: On Sleigh Bells' Treats

It's been
a few
months
now since
Sleigh
Bells
re-
leased
their
debut,
Treats
, and I'm still thinking about their use of that '80s drum sound. To their credit, it doesn't resemble a retro rehash. Rather, it's the beat, in isolation, that brings the neon era to mind.

It isn't a drum machine or hip-hop beat, but it's so prominent and precise, it sounds quasi-synthetic; not plastic, but hardly organic.

Sleigh Bells with a hyper-distorted version of their trademark beat.

Here are a few of the acts that first put that beat into motion,
though none sound like Sleigh Bells. Note that I was trying to
avoid tracks that use obvious permutations of the Bo Diddley
rhythm, like the Jam's "Start!" Great song, great beat, but the
style predates the '80s (see "You Can't Hurry Love," etc.).

Click here for my review of Treats.



I just reviewed Bob Rafelson's Head, and there's Toni Basil, dan-
cing with Monkee Davy Jones to Harry Nilsson's "Daddy's Song."
It's a great sequence--and worth the price of admission alone.



Okay, it's fairly organic, but the beat is so '80s, I had to include it.

[video to come]
Classic big beat. No wonder a drummer produced it.

Sleigh Bells image from Volcano City.

Thursday, October 14, 2010

Everywhere You Go: Black Swans

Books, theories, movies, songs, etc. 

Click here for clips from Richard Linklater's A Scanner Darkly. His rotoscope version of Philip K. Dick's book makes brilliant use of Thom Yorke's "Black Swan."  

Mike Whybark, Seattle Film Blog webmaster, also recommends Bruce Sterling's 2009 story "Black Swan." 

When I asked him about a possible connection between the story and Yorke's song, he pointed me to this link about The Black Swan Theory. That entry, in turn, leads to Nassim Nicholas Taleb's 2007 book The Black Swan: The Impact of the Highly Improbable. 

I tell you: black swans are everywhere these days! 

P.S. One more. Click here for Bert Jansch performing "The Black Swan" at Chicago's Empty Bottle in 2006. Thanks to ratzkywatzky for the tip!

 
Endnote: Black Swan opens in Seattle in December (venue TBA). Poster image from First Showing (click for more).

Sunday, August 22, 2010

He's New Here: Gil Scott-Heron

Since releasing Gil Scott-
Heron's I'm New Here in
February, XL Recordings has
done a great job at keeping
the album alive by issuing re-
mixes from Mos Def and the
like, but I was particularly
taken by this video for his ver-
sion of Smog's "I'm New Here."

Smog's Bill Callahan may have written the lyrics--and recorded the song first--but Scott-Heron's heartfelt interpretation makes it sound as if they were designed just for him. They also reflect his journey through difficult times.

According to the press notes, the Iain Forsyth and Jane Pollard-
directed clip "was recorded live in Clinton Recording Studio, NY
with the engineer Lawson White. (This is where much of the album
was recorded and mixed). Pat Sullivan (XX) is featured on guitar."



Forsyth and Pollard add, "Some things should be kept simp-
le; no messing, no gimmicks. This video was shot with com-
pletely live sound, with half an eye looking back on classic
footage of performers like John Lee Hooker and Bob Dyl-
an. We wanted to shoot something bold and direct, that
captured something of Gil's remarkable presence and
the raw power of his performance. We filmed him the
day before walking around his neighborhood in Har-
lem then on the day we returned with Gil to the
studio where much of his new album had been
recorded. There's no narrative here, this is
a deliberately simple video for a decep-
tively simple and beautiful song."

***** ***** ***** ***** *****

Endnote:
Click here for my review of I'm New
Here
. Image from Oregon Public Broadcasting.

Sunday, April 25, 2010

Favorite Song About Sleep: "Are You Sleeping?"

Chris Estey recently put out the following call for contributors. I've included my responses below. 

Hey! You are getting this because I am a fan of your work. I am putting together a thick, community fanzine about music and sleep and dreams for publication in June 2010 and was wondering if you could send me back a few words about this subject. I will cut and paste verbatim what you give me as long as it's good. Here are the questions. Feel free to answer any you want to and ignore any that you want to. 

What is your favorite song, or are your favorite songs, about sleep? 

Harry Nilsson's "Are You Sleeping?" from The Point, a favorite record as a kid, a favorite record as an adult. And I still haven't seen the animated film (in any of its iterations), but I had the gatefold LP with the illustrated booklet, so I'm familiar with the story. The lyric in the title is the kind of thing a parent might ask a child, but it works as pillow talk, too: "Are you sleeping?/Can you hear me?/Do you know if I am by your side?/Does it matter, if you hear me?/When the morning comes I'll be there by your side." (The tune combines one of Nilsson's music hall-style melodies with a multi-layered vocal atop a lilting samba rhythm.)  Every track, from "Everything's Got 'Em" to "Think About Your Troubles" offers several interpretations, which helps to explain The Point's enduring appeal. Depending on my mood, "Are You Sleeping?" is comforting, romantic--even macabre. I mean, you might also utter those words to someone in a coma or to a person who's just died. In other words: it's Nilsson at his best. Second choice: "Comfortably Numb." Even if Floyd weren't singing about sleep, the lyrics follow a sort of dream logic, i.e. "When I was a child I had a fever/my hands felt just like two balloons..." Roger Waters told Rolling Stone that an experience with tranquilizers for stomach cramps inspired the scenario, i.e. there's a fine line between songs about drugs and songs about dreams.

What is the most interesting or weirdest dream you've ever had about music?

It's always the same: the dreaded disc jockey dream. After two decades in the biz, it's part of my DNA. I've been semi-retired for a few years now, but still experience it every few months. Since I got my start in the 1980s, the dream always revolves around carts that won't play and records that are scratched, broken, or missing. In other words: it's more about silence ("dead air") than noise. 

Do you use music to sleep by? Have you ever? What was it and when, if not now? If now, what music do you listen to sleep by? 

As a kid I slept with a transistor radio under my pillow. I grew up in Alaska, so alternative radio wasn't an option. I don't think we even had AOR in the mid-1970s, so I listened to Top 40. I have no idea whatever happened to that little radio, but it served me well.  

The remaining questions: 1) Is there any music that puts you to sleep? 2) Do you ever dream about songs? If so, are they usually songs you've heard or made up ones in your head? 3) If you dream about songs frequently, do you maybe have a top five? 4) Do you dream about records? If so, any recurring ones that exist? 5) Do you dream about records that don't exist? Do you remember any of them? 6) Do you dream about record stores? If so, is there one dream about them you can tell me? 7) If you are a writer, have you ever written about music from your dreams? 8) If you are a (even kind of, sort of a) musician, have you ever written a song in your dreams, and actually created music from it? 9) If you are a writer, has writing about music affected your sleep and dreams? 10) If you are a (even kind of, sort of a) musician, how does performing music affect your sleeping? 11) What was your most noteworthy dream about a concert? 12) What was your most noteworthy dream after a concert, if you remember one?

Slightly edited from the original text. Images: The Saw Pit and Rate Your Music.