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Skin Graft [1/23/07]
I slipped this disc in my player with no foreknowledge about either group. Seripop's B&W Savage Pencil-inspired artwork is both scary and intriguing [they're also responsible for the image at right] and the band names are definitely...interesting. I thought that might apply to the music, as well. It does. This is swirling, pounding punkadelica, for lack of a better word.
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Other participants include Hiroshima Thunder on drums and Barbarian Destroyer and HIM, The Magi, both on guitar.
Also available as a gatefold LP, Clash of the Life-Force Warriors is demented stuff with a downright vicious vibe. It's not quite my scene, but I admire the crazed intensity, except when Deluxe's howling devolves into babbling. That's when they lose me.
BARR, Summary, 5 Rue Christine [2/10/07]
In the midst of tripping out about everything, I realized I don't know
what I'm doing. Try to hit--I mean, hit the town like a ton of bricks.
Hit a few spots a little too hard. Made moves too much. A little bit uncomfortable, a little bit sad, I mean I was a little bit confused,
even sort of mad but still kind of amped on the drama and ambiguity.
-- BARR, "Was I? Are You?"
Strictly speaking, BARR's fourth full-length, Summary, isn't a spoken word recording, but LA-based Brendan Fowler (New England Roses) is more of a talker than a singer. (Vice describes him as a "motivational rapper.") There's a slight King Missile ("Jesus Was Way Cool") thing going on here, except his vocals are even more prominent and the music is even more spare, just a little piano and drums (Fowler) and bass (Corey Dieckman).
There are musicians who monologue much of their way through life, like Bob Dylan ("Subterranean Homesick Blues") and Lou Reed ("Take a Walk on the Wild Side"). I like that kind of stuff. I don't like this. It's akin to sitting next to a crazy person on the bus who rambles on and on and on. Plus, he doesn't have the pipes for it. Tom Lehrer and Ken Nordine did, Gil Scott-Heron and Mose Allison did. So did the Last Poets. Maybe those comparisons aren't fair, but Fowler has this sort of droning/adenoidal tone. He lacks the forcefulness of those other cats. And his lyrics read like diary entries. This would've worked better as a graphic novel.
Bird & Batteries, Selections From...
Nature vs. Nature, Self-released
Not to be confused with the Bird and the Bee, whom I've raved about elsewhere, Bird & Batteries is one-man San Francisco band Michael Sempert. He's got six other players helping him out on guitar, bass, brass, drums, and backing vocals, but this is primarily a solo effort. Because the original Nature vs. Nature had 18 tracks, this edited version, which slims things down to 12 (including Neil Young's "Albuquerque"), is titled Selections From...
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Of Montreal is the closet analogy I can find for Nature vs. Nature, except this is rootsier stuff (must be that steel guitar). I like it more than BARR, but that's as much enthusiasm as I can muster. Sempert has an original style--he dubs it "electro-country-indie-pop"--and I respect that, but I found this record rather dull.
*****
Endnote: Bird & Batteries play Seattle's Comet Tavern on 2/9 and BARR plays Gallery 1412 on 3/9. Fun fact about AIDS Wolf, they were voted 10th Most Pretentious Band by the Montreal Mirror's Readers' Poll. Nice! Image of their first CD, The Lovvers [sic], from Amazon, Nature vs. Nature cover image from CDBaby.
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