Monday, July 31, 2006

August 2006 Reviews

Hot August Night

Hot August night
And the leaves hanging down
And the grass on the ground
Smellin' sweet.
--Neil Diamond, "Brother Love's
Traveling Salvation Show" (1972)


Here are the reviews I'm
working on for this month.

Amazon: Full House - The Complete Fourth Season [four-disc
set]
(I also reviewed seasons one and three), Hanna-Barbera's
Magilla Gorilla - The Complete Series
[four-disc set], My Name
Is Earl - The Complete First Season
[four-disc set], Kaki King - Until We Felt Red, M. Ward - Post-War, The Clash - Rude Boy: The Movie, Heart Like a Wheel, Baghdad ER, Beavis & Butt-Head - The Mike Judge Collection: Volume Three [three-disc set] (I also
reviewed sets one and two), Remington Steele - Seasons Four and Five [five dual-disc set] (I also reviewed seasons two and three), and The Wizard (with Fred Savage and Rilo Kiley's Jenny Lewis).

Resonance: Hypatia Lake - "...And We Shall Call Him Joseph."
This review got bumped from the last issue, but it appears to
have been resurrected. Click here for an alternate version.

Seattle Sound: Short piece
about We Go Way Back, for
which I interviewed writer/
director Lynn Shelton and
composer Laura Veirs [right,
from
Year of Meteors]. I al-
so penned a miniscule side-
bar profiling The Film Com-
pany, which produced Shel-
ton's film, and the Northwest Film Forum, which produced and distributed Police Beat.

Seattle Film Blog: Interview with Keith Fulton and review of Army of Shadows (Jean-Pierre Melville and Lino Ventura take on the 
French Resistance). One of my favorite films of the year.

Endnote: Much of the We Go Way Back soundtrack comes from Carbon Glacier and Year of Meteors. Two early Veirs' recordings, Troubled by the Fire and The Triumphs & Travails of Orphan Mae, have just been re-released. She also appears on the Decemberists' Crane Wife. Image from Laura Veirs' website.

Thursday, July 27, 2006

Portrait of Brazilian Singer Marisa Monte

I'm posting this pretty, yet pensive image here as Blue Note was kind enough to send it to me and because I wasn't able to attach it to my previous posts about the Brazilian singer.

I'm not sure why, but for the past few months, it's gotten harder and harder to add pictures to my posts (I can't tell if it's the program or the pictures). In any case, it usually takes a few tries before I can get one to stick. Consequently, I haven't been able to use some of my favorite images. Like this one. So, I figured I'd create a new post and try it again. Voila--it worked!

While I'm at it, if you missed my ramblings on Universo Ao Meu Redor and Infinito Particular, please click here and here. (Both CDs are still set to be released on 9/12.) Unfortunately, Monte's American dates have since been announced and they don't include Seattle. With Bumbershoot (9/2-4) just around the corner, she would've been an ideal addition.

Since Seu Jorge, who I caught in concert last month (it was the reinvigorated Os Mutantes last night), co-wrote a couple of the songs on Infinito, I'm adding this strikingly sexy-surly image of him that I've been saving for just such an occasion. Enjoy!

Note: Monte image courtesy Metro Blue/Blue Note. Jorge image from his official website. For more information on Monte, please click here and for Jorge, click here. Also, his latest film, Andrucha Waddington's House of Sand, opens at Seattle's Metro on 8/25.

Saturday, July 22, 2006

Where in the World is... Part One

Carmen Sandiego? Matt
Lauer? No, me. Here are
some of the more interesting
sites on which I've found my
reviews and other ephemera.

*****

Analogue Haven:
Amazon reviews of The Director's Series, Vols. 4-6

[The typos are their addition.]

AustinMusic.com:
Amazon review of Various Artists -
Austin City Limits Music Festival 2005

Canine Equipment Outfitters:
Amazon review of My Family and Other Animals

CD Baby:
(Over-long) AMG bio of Dennis Driscoll

Facets of Religion:
Amazon review of Luther

GreenCine:
Reference to my Seattle Film Blog review of Brigitte et Brigitte:

Somewhat related is Kathy Fennessy's Siffblog entry on Sam Fuller and Luc Moullet, in which Cahiers has a cameo.

[Thanks to Bill for bringing this to my attention.]

Metroblogging Seattle:
Seattle Film Blog list of release dates

Secondspin.com:
AMG review of The 13th Floor Elevators - Live

Starpulse.com:
AMG review of Nicolai Dunger - Tranquil Isolation

Endnote: I had the good fortune to interview Michel Gondry while in town with The Science of Sleep, which opens on 9/22/06. We also chatted about the underlooked Dave Chappelle's Block Party, among other projects, like his Director's Series DVD. He was very happy with the way that turned out and looks forward to doing another. Incidentally, when I asked if he was a fan of Serge Gainsbourg (he cast Serge's daughter, Charlotte, in Science), he replied, "In my home, the two Gods were Serge Gainsbourg and Duke Ellington." He also described Charlotte as "magical." Images from the IMDb (that's Gael García Bernal on the drums).

Thursday, July 20, 2006

Review Roundup: Jeff, Carolyn AlRoy, and More

Jeff, Castle Storm, Infinity Cat

Jeff is Jake and Jamin Orrall, rocking the Thurston Moore look in the photo to the left. (They were 16 and 14 when they started Infinity Cat.) Their third LP consists of loud, jammy stuff laid down in two days. The 13 ditties touch on prog, punk, hardcore, and metal. Jake shouts and strums, while Jamin beats the skins. To be sure: It rocks, but this kind of material works best live.

Carolyn AlRoy, Gorgeous Enormous, Wussy

Carolyn AlRoy's debut is a singer-songwritery thing with country tinges. The New York poet-turned-psychotherapist sings like Lois Maffeo, which is to the good, but Gorgeous Enormous doesn't rise to her heights. Alroy looks like a swell gal, though, so I feel like a wet blanket for providing such weak praise. This is a respectable effort, just not edgy or distinguished enough to stand out from the pack. The album includes an okay "Helter Skelter" and a touching take on Pee Wee King's oft-covered "You Belong to Me." Produced by Matt Keating and engineered by Adam Lasus of Clap Your Hands Say Yeah.

Cake Bake Betty, Songs About Teeth!, Infinity Cat

New Jersey's Lindsay Powell is Cake Bake Betty. Be Your Own Pet's Jamin Orall co-produced and adds beats to her skeletal piano pop. Songs About Teeth! sounds nothing like BYOP, but I like it. Powell has a sweet, yet assertive voice. The word "precocious" springs to mind--and I mean that in the best possible sense.

Miss Violetta Beauregarde, Odi Profanum Vulgus et Arceo, Temporary Residence Ltd.

The title means "I hate the common crowd and I spurn them." As such, one wouldn't expect wispy words of bliss. There are none to be found on this brief collection of 16 spiky diatribes. Miss Beauregarde has been described as "one young Italian woman and her inebriating ten-euro keyboard." That she is. Songs include "I'm the Tiennamen Square Guy and You All Are the Fucking Tanks" and "The Unbearable Lightness of a Farm Tractor." Le Tigre meets Whitehouse. A refreshing palate cleanser in small doses.

Endnote: Jeff and CBB's "Sybling Symmetry" tour continues through the end of the month. Please see Infinity Cat for dates (Jake and Jamin run the label with their father, artist/musician Robert Ellis Orral). Images from the IC and Miss Violetta websites. Oh, and be sure to check out Miss V's bio. It's a corker.

Friday, July 14, 2006

In a Manner of Speaking: Alaska Is Not in America

In the course of writing about the latest Long Winters release, Putting the Days to Bed, I decided to do a little reading about the Seattle band. Their website is a great place to start. Along the way, I stumbled across a piece in The Stranger called "Harm's Way" (2/21/02), in which I found that frontman John Roderick moved to Alaska the same year I did: 1971.

I wonder if that means his family also took a trip to the Anchorage International Airport to see Richard Nixon when he came to town during his 1972 re-election campaign? Heck, we did, and there were no Republicans in our house. No matter. It was something to do. And he was President. I even waved a little flag along with the rest of the crowd. (Alas, I missed Paul McCartney's trip through the same airport after his 1980 pot bust.)

A few years later, I sauntered over to the Park Strip, mere blocks from our downtown duplex, to see the Pope. Unlike my parents--and most of the rest of my family--I wasn't raised a Catholic, but it was the Pope! In Alaska! Popemobile and everything. I found the whole experience very cool. I had just written a report about Pope John II and was psyched to see him in person.

Anyway, in The Stranger piece Roderick notes, "Growing up in Alaska, we were Americans, but Alaska is not in America. So I developed this America thing. I really wanted to know about the country." He has a point. You can't just hop in a car and drive to Oregon. Travelling to another state is a big thing. Bigger in the less-wired world of the 1970s even than it is now.

I never developed that same sense of wanderlust, as my parents divorced when I was a tyke, and I logged many air miles from that point forward (to visit my dad in Virginia, then later California). I was getting out of the state more often than most Alaskans.

Anyway, I also discovered that Roderick graduated from East Anchorage High School. Well, I graduated from East's arch-rival, West. Did I take that "rival" stuff seriously? Yes and no. Football games, basketball games--they were things to do. I wasn't all that into sports then any more than I am now, but I'd grab a few games here and there. When I did go, it's inevitable that I'd do a little chanting, so I pulled my old journal off the shelf to look up a few chants. They're perfectly ridiculous. And I should add, most of the East High kids I met back in the day were pretty cool. But you know how groupthink works when you're in your teens...

*****

When you're up, you're up
And when you're down, you're down.
But when you're up against the Eagles,
You're upside down!


*****

Two bits, four bits,
Six bits a dollar,
All for the Eagles,
Stand up and holler!


*****

We're gonna yell (oh yeah!),
We're gonna scream (oh yeah!),
We're gonna beat that
T-bird football team!


*****

The Eagle was the West High mascot. The Thunderbird was the East High mascot. While I'm at it, here are the other mascots from my youth: The Willowcrest Elementary School Wolverine, the Romig Junior High School Trojan, and the Whitman College Missionary (the school began life as a seminary). Yes, the last two go together quite well. I also attended an elementary school in Boulder, CO for six months and another in Daly City, CA for a year (Roosevelt). I don't remember the name of the Colorado school, nor do I remember the mascots for either. Lastly, here's my high school song, sung to the tune of "On Wisconsin."

*****

On the Anchor

On the anchor,
On the anchor,
Hail old Westside High.
Loyal hearts
Forever praise thee,
Loud our chorus cries.
Rah, rah, rah!


On the anchor,
On the anchor,
Echoes to the sky.
Hail fellow, ever hail
Old Westside High!



Endnote: Thanks to John Roderick for (inadvertently) reminding me about this stuff. Incidentally, there's a song on his new album called "Fire Island, AK." I'm guessing he's referring to the one in Cook Inlet (there are, apparently, three Fire Islands in Alaska).

Although I never forget that I'm an Alaskan (even if I was born in Connecticut), I often forget what it was like to live there. It seems so long ago. My mom resides there still, but everyone else has moved on. Of course, plenty of folks have moved there since. By the time I hit high school, I knew it wasn't for me, and I was anxious to, uh, make like a priest...and get the hell out of there! (I was quite fond of that one back in the 1980s.) But it made me what I am. Alaska will always be a part of me, and it will never be like anywhere else in America. Images from Barsuk Records and CNN.

Tuesday, July 11, 2006

Who is Peter Tevis: Part II

Last month, I posted a message from
Bob Cumbow
regarding American singer/songwriter Peter Tevis, who influenced the sound of the spaghetti western through his association with Italian composer Ennio Morricone. Bob forwarded the post to Peter, who responds with his own take on the story. With
his permission, I am posting it here.

Here's the true story of "A Fistful of Dollars." I was working at the Teatro De Opera as a stereo stage manager at about 24 years of age in 1961, when I was introduced to an Italian lady who had established herself by helping singers get started. She made an appointment for me to go to RCA, to meet Pierrot Ricordi. I remember putting my foot on his desk and singing my own rendition of "Pastures of Plenty." He offered me a contract of two singles. He also made an appointment for me to see Morricone. We cut the record and I was lost for a while.

At this time, Sergio Leone needed a score for his film Per Pugno di Dolari, better known to us as A Fistful of Dollars, and he didn't like any of the ones Morricone had written so far. While trying to find something that was "different" and could work for Leone's film, my single "Pastures of Plenty" happened to get played. At this point I had developed a bombastic way of playing guitar. From what I've heard, when Leone heard the single he cried out, "That's it!" and thus was the score to A Fistful of Dollars born.

At about this time, I went to the movies in Italy and heard my song played as the background music for the opening sequence. Except, they had removed my voice and the lyrics to the song, and replaced them with the whistling we hear when we see the film today. I went to RCA claiming that I was going to file a suit, but according to them there's an Italian clause that says "The injured party must gain something from the other party" and so they asked me what I wanted. I said I'd like to make an album with Morricone, and so I got my wish and he and I made the Fistful LP record. My original "Pastures of Plenty" was suppressed, otherwise that first single would have appeared on the LP.

As naïve as I was, I had no idea that it would become one of the biggest films in cinema history. I felt that Ennio was under pressure to produce a cheap soundtrack as he had no idea how the movie would do either. I often wonder what happened to all those 45's containing my "Pastures of Plenty."

Endnote: Thanks to Bob for the original message and to Peter for the follow-up. For more on Morricone, I recommend "Water Drops on Burning Rocks" in the July 2006 Sight & Sound. About the song, Guido Bonsaver writes, "A couple of notes from the whistled melody for Fistful of Dollars (1964) brings the entire tune to mind, but a second listening reveals the piece's sophistication. While the light-hearted tone chimes with Leone's demystification of the Western tradition, the use of non-orchestral sounds such as whipcracks and church bells demonstrates Morricone's own interest in experimentation." 

Peter Tevis image from Wikipedia.

Monday, July 10, 2006

July 2006 Reviews

July, July, July
It never seemed so strange.
--The Decemberists

Here are the reviews I'm
working on for this month.


Amazon: Carnivàle - The Complete Second Season [six-disc set] (I also reviewed the first season), Our Brand Is Crisis (revealing doc about the American-consulted campaign of a Bolivian presidential candidate), Dashboard Confessional - Dusk and Summer (louder, less whiny), Joshua Radin - We Were Here, Widespread Panic - Earth to America, Greg Graffin - Cold as the Clay (Bad Religion singer goes solo), the Long Winters - Putting the Days to Bed (third release from John Roderick's local combo), David Ford - I Sincerely Apologize For All The Trouble I've Caused, Palm World Voices - Mandela [CD/DVD/book/map combo] (Oscar-nominated, Jonathan Demme-produced doc), Lois & Clark - The New Adventures of Superman: The Complete Third Season [six-disc set] (I loved this show back in the mid-90s), and Live - Songs From the Black Mountain.

Seattle Film Blog: The Gang's All Here (Busby Berkeley's technicolor extravaganza with Carmen Miranda), two by Luc Moullet: Brigitte et Brigitte (with Samuel Fuller and Claude Chabrol!) and A Girl Is a Gun (with Jean-Pierre Léaud), and Dominick Moll's Lemming (with the Charlottes Rampling and Gainsbourg).

The Gang's All Here image from The Village Voice.