Click here for the 2017 edition. Links lead to my concert previews for The Stranger.
Top 10
1. Gwenno - Le Kov (Heavenly-PIAS)
Le Kov marks two stunning solo albums in a row from ex-Pipette Gwenno Saunders. If 2014's Y Dydd Olaf, inspired by Owain Owain's dystopian novel from the 1970s, was the more ambitious release, the follow-up marks an artist firmly in control of her powers. The Welsh Cornish language has rarely sounded lovelier.
Ndegeocello's 2014 paranoid-funk cover of Whodini's "Friends" merely hinted at this brilliant reinvention of 11 pre-millennial R&B and funk classics. The singer and bass player at her sensual, soul-stirring best.
3. Lorelle Meets the Obsolete - De Facto (Registros El Derrumbe)
There'll never be another Broadcast, but on their fifth full-length, this Ensenada-by-way-of-Guadalajara duo (Lorena Quintanilla and Alberto Gonzalez) conjures up a similar sense of magic and mystery. Mixed by Cooper Crain (Bitchin Bajas) and mastered by Mikey Young (Eddy Current Suppression Ring, Total Control): México goes motorik.
From the electro pop of "High Horse" to the rustic psychedelia of "Slow Burn" to the stadium tour with Harry Styles, Musgraves' creative risks rankled purists, but the CMA Award for album of the year confirms that her resemblance to Bobbie Gentry is more than just skin deep.
5. DRINKS - Hippo Lite(Drag City)
It was a good year to be Cate Le Bon--or a fan of the Welsh polymath--as she co-produced Deerhunter and hit her stride with White Fence's Tim Presley on their second, even-better-than-the-first record.
After establishing her acting bonafides in 2016 (Moonlight, Hidden Figures), Monáe emerged in 2018 as a "free-ass motherfucker," an orientation reflected in the Prince-inspired "Make Me Feel" and the Georgia O'Keefe-on-ecstasy "Pink" video with pal Tessa Thompson.
Berlin-based Anika launched her career as a solo artist, so it came as a surprise when she joined forces with two Mexico City musicians to form this transcontinental trio. Their discography to date isn't a repudiation of the stark sound she established with BEAK's Geoff Barrow, but a more textural version marked by unnerving shows in which the cool blonde segues from quasi-catatonic to confrontational.
Lorelle Meets the Obsolete
8. Kelly Lee Owens - Kelly Lee Owens (Smalltown Supersound)
On her enchanting debut, the Welsh producer whispers sweetly over diaphanous clouds of synths and gently pulsating beats. It's Charlotte Gainsbourg by way of Juana Molina through a Giorgio Moroder haze.
Meg Remy, the American-born sonic architect behind this Toronto noise-pop project, takes recognizable elements, including girl-group harmonies and soul samples, and scrambles them into something new and unfamiliar, like Ronnie Spector fronting the Residents. On her riveting new album, she references male-generated works about men, like Hamlet, to interrogate male power and female agency.
10. The Nels Cline 4 - Currents, Constellations(Blue Note)
Cline, a guitarist and composer with free jazz (Charlie Haden, Julius Hemphill) and alt-rock roots (Wilco, Mike Watt, Thurston Moore), brings playful prog-punk energy to his second Blue Note outing.
Note: All comments from my 2018 Pazz & Jop ballot.
2. Kendrick Lamar, SZA - "All the Stars" (Top Dawg-Interscope)
Wakanda forever.
3. Janelle Monáe - "Make Me Feel" (Bad Boy)
It's hard to imagine that "Make Me Feel" would exist without Prince's "Kiss," but Monáe ups the ante with Hereditary-like tongue-clicks as a rhythm track--and words never heard in a Jehovah Witness's Bible.
4. Childish Gambino - "This Is America" (mcDJ Recording-RCA)
Donald Glover's incantatory recitation would work without visuals, but Hiro Murai's video represents America in 2018 as acutely as the newsreel footage in Spike Lee's BlacKkKlansman. Utterly unnerving.
5. Brownout - "Fear of a Black Planet" (Fat Beats)
Public Enemy's production team, the Bomb Squad, spun hiphop gold from funk filaments, so it's only right and natural that these Austin instrumentalists would strip the PE track down to its funky essence.
6. Khruangbin - "Maria También" (Dead Oceans-Night Time Stories)
The very definition of sinuous.
7. Ashley Monroe - "Hands on You" (Warner Bros Nashville)
The year's sexiest song...and even better than anything on Pistol Annies' not-at-all-bad Interstate Gospel. "I wish I'd a pushed you against the wall, locked the door in a bathroom stall..."
8. Angelique Kidjo - "Born Under Punches" (Kravenworks)
"Look at these hands," Kidjo asks commandingly, turning the words of David Byrne's (presumably white) government man inside out. "All I want is to breathe," sighs the Beninese-born singer.
9. The Internet - "La Di Da" (Columbia-Sony Music Entertainment)
The spirit of early-'70s Stevie Wonder infuses this breezy track.
10. Little Dragon - "Lover Chanting" (Ninja Tune)
A summery wisp of a thing. "Do you wanna be my girl, I wanna-wanna-wanna be your ma-a-an." That's about the gist of it.
Also worthy of note:Courtney Barnett - Tell Me How You Really Feel (Mom+Pop), Cruel Diagonals - Disambiguation (Drawing Room), Jacco Gardner - Somnium (Polyvinyl Recording Co), Ross Goldstein - Eighth House (Birdwatcher), Hinds - I Don’t Run (Mom + Pop), In- solito Universo - Folk Experimental de Venezuela (Olindo), The In- ternet - Hive Mind (Columbia), Jo Passed - Their Prime (Sub Pop), Angelique Kidjo - Remain in Light (Kravenworks), The Limiñanas - Shadow People (Because Music), Samara Lubelski - Flickers at the Station (Drawing Room), Dave McMurray - Music Is Life (Blue Note), Melody’s Echo Chamber - Bon Voyage (Far Possum), MGMT - Little Dark Age (Columbia-Sony Music Entertainment), Papa M - A Broke Moon Rises (Drag City), Pusha T - Daytona (GOOD-Def Jam), Shamir - Revelations (Father/Daughter), The Shifters - Have a Cunning Plan (Trouble in Mind), Colin Stetson - Hereditary (Original Motion Pic- ture Soundtrack) (Milan), Sudan Archives - Sink (Stones Throw), Szun Waves - New Hymn to Freedom (Leaf Label), Dean Wareham vs. Cheval Sombre - Dean Wareham vs. Cheval Sombre (Double Feature), and Unknown Mortal Orchestra - Sex & Food (Jagjaguwar).
Welcome back, my friends, to the show that never ends! Though I spend a substantial portion of the year avoiding ranked lists as best as I can, I wait until the tail end of each one to give in to my most hierarchical impulses.
As with last year, I've decided to keep commentary to a minimum, but if there are any films you feel strongly about that you don't see listed below, feel free to leave a comment or drop me a line. If it isn't here, it's more likely that I didn't see it than that I didn't like it...unless you're touting Bohemian Rhapsody or A Star Is Born. It's not that I hated either one, it's just that when it comes to music films in 2018, docs were where it was at. In any case, I have screeners for most of the year's award-seeking films through membership in the Seattle Film Critics Society, for which I've served as trustee for the second year in a row, so I plan to spend January catching up with the films that I missed.
Amanda Seyfried in First Reformed
Links lead to my reviews for or podcast contributions to SIFFBlog, SIFFcast, and The Stranger. A few, like Bad Reputation, also appeared in The Portland Mercury (my reviews for Video Librarian live behind a paywall or by way of a print subscription). Starting in 2018, my Stranger reviews have found a second home at Rotten Tomatoes.
If I did a better job at keeping up with new films than in 2017, I failed to write about as many of them due to a variety of factors, including other responsibilities and distractions. Here's to a more creatively and financially fulfilling year for me, for you, and for everyone we know!
Top 10* 1.Leave No Trace (Debra Granik) 2.First Reformed (Paul Schrader) 3.The Favourite (Yorgos Lanthimos) 4.Angels Wear White (Vivian Qu) 5. Shoplifters (Hirozaku Kore-eda) 6.BlacKkKlansman (Spike Lee) 7.Mandy (Panos Cosmatos) 8. Sorry to Bother You (Boots Riley) 9. Happy as Lazzaro (Alice Rohrwacher) 10. Annihilation(Alex Garland)
*The Phantom Thread didn't open in Seattle until 2018, and I missed the 2017 press screening. If I'd seen it then, it would've made last year's top 10. To make room for as many new releases as possible, I've given it a sort of honorable mention by acknowledging that I don't know where to place it, so for the time being: it lives inside this footnote.
Note: I don't take back anything I've ever said about Lanthimos. Working with Tony McNamara and Deborah Davis's brilliant script made a world of difference to his filmmaking. I still consider The Killing of a Sacred Deer, which folds Michael Haneke's worst traits into one film, among 2017's most overrated art house efforts. Meanwhile, Luca Guadagnino, whose previous two features made past lists, fell from my grace with his pointless remake of Suspiria.
Runners-up 11. 1945 (Ferenc Török) 12. Black Panther (Ryan Coogler) 13. Can You Ever Forgive Me?(Marielle Heller) 14.Support the Girls (Andrew Bujalski) 15.Madeline's Madeline (Josephine Dekker) 16.Félicité (Alain Gomis) 17.Don't Worry He Won't Get Far on Foot (Gus Van Sant) 18.Burning (Lee Chang-dong) 19. The Ballad of Buster Scruggs(Joel and Ethan Coen) 20.Isle of Dogs (Wes Anderson)
Adriano Tardiolo in Happy as Lazzaro
Second Runners-up 21.Widows (Steve McQueen) 22. Roma (Alfonso Cuarón) 23.Claire's Camera (Hong Sang-soo) 24.If Beale Street Could Talk (Barry Jenkins) 25.Private Life (Tamara Jenkins) 26.Thelma (Joaquim Trier) 27.Thoroughbreds (Cory Finley) 28. Eighth Grade(Bo Burnham) 29.November (Rainer Sarnet) 30. You Were Never Really Here (Lynne Ramsay)
Note: I usually include documentaries in my top 30, but decided to separate them from narrative features this year. I don't have a good reason for this; it just felt right. I'll probably revert to form in 2019.
Top Documentaries 1.Won't You Be My Neighbor (Morgan Neville) 2.Monrovia, Indiana (Frederick Wiseman) 3.Whitney (Kevin Macdonald) 4.Filmworker (Tony Zierra) 5.Hal (Amy Scott) 6. Bad Reputation (Kevin Kerslake) 7.M.I.A. Maya Matanga (Steven Loveridge) 8. Shirkers (Sandi Tan) 9. Dark Money (Kimberly Reed) 10. Divide and Conquer: The Story of Roger Ailes(Alexis Bloom)
Gothic Estonian horror in November
Doc Runners-up 11. Milford Graves: Full Mantis(Jake Meginsky) 12. Bisbee '17 (Robert Greene) 13.Hale County This Morning, This Evening (RaMell Ross ) 14.Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Sara Driver) 15.Naila and the Uprising (Julia Bacha) 16.McQueen (Ian Bonhôte and Peter Ettedgui) 17.Grace Jones: Bloodlight and Bami (Sophie Fiennes) 18.The Departure(Lana Wilson) 19. RBG(Betsy Cohen and Betsy West) 20. Three Identical Strangers (Tim Wardle)
Note: Ofthe fashion-oriented films released in 2018, Bonhote and Ettedgui's portrait of the late British designer Alexander McQueen ranks above them all. By contrast, Lorna Tucker's Vivienne Westwood documentary, Westwood: Punk, Icon, Activist, plays as if the subject pressured her to stick to a narrow script, and she probably did. Free rein shouldn't be a requirement for effective portraiture, but the film needed a director who saw the limited scope as an opportunity to tap creative impulses rather than a directive to keep them in check. As a corrective, I'd recommend Viv Albertine's 2014 memoir, Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., for a more idiosyncratic take on Britain's fashion scene during the punk era, including appearances from Westwood and Malcolm McLaren.
Video Librarian:Lou Andreas-Salomé: The Audacity to be Free, Full Circle - The Birth, Death & Re-Birth of Circle of Dust, Grace Jones - Bloodlight and Bami [Blu-ray], We’re Still Here - Johnny Cash’s Bitter Tears Revisited, Breaking Silence, The Jazz Ambassadors, Little Stones, Shadow Nation, and Whipping Zombie.
Endnote: Joan Jett poster image from Magnolia Pictures.
Video Librarian: 2e2 - Teaching the Twice Exceptional, Love After
Love, Sidemen - Long Road to Glory[Blu-ray], Larger Than Life - The Kevyn Aucoin Story, Next Time I’ll Aim for the Heart, The Us Festival 1982: The US Generation, Badass Beauty Queen,and Neil Gaiman - Dream Dangerously.
Video Librarian:Borderline, Heaven Is a Traffic Jam on the 405, Linefork, Love the Sinner, Mankiller - Activist, Feminist, Cherokee Chief, Many Loves One Heart, Nothing Is Forgiven, Pride Denied - Homona- tionalism & the Future of Queer Politics, Tipping Point, and What Doesn't Kill Me - Domestic Violence and the Battle for Custody.
Endnote: Photograph by Peter Prato / Annapurna Pictures.
Video Librarian: Endo What?, Generation Zapped, Out of State, She Started It, Spettacolo, The Untold Tales of Armistead Maupin, Birdboy - The Forgotten Children, and Robert Plant and the Sensational Shape Shifters - Live at David Lynch's Festival of Disruption.
Endnote: Image from U.S. Girls' "Window Shades" video.
Video Librarian:Mama Colonel, Men - A Love Story, My Bolivia, Just Charlie, Somos Lengua, Driving With Selvi, and The Empathy Gap - Masculinity & the Courage to Change.
I write about popular music and film and the relationship between the two. I'm Irish on one side, Italian on the other—British on both. I was born in Connecticut (Far From Heaven), raised in Alaska (Northern Exposure), and I've lived in Seattle, WA (Trouble in Mind) since 1988.